Just for fun · mermaiding

How To Use Props To Create Stunning Underwater Photography (Tips From A Professional Mermaid)

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Drawing on my experience as a professional mermaid and underwater model, I’ve been writing a series of articles with my top tips for underwater photography. These blog posts are primarily aimed at people who are new to underwater modelling, but they’ll be useful to models, photographers and anyone else aiming to create the perfect underwater photograph! In this article, we’ll be focusing on how to use props underwater for the best effect…

How To Use Props In Underwater Photography:

Using fabric in underwater photography:

Loose fabric is one of the best props you can use in underwater photography, because visibly floating fabric is a simple way of enhancing the weightless sensation of being underwater. There are some simple ways to enhance the effect when selecting your fabric:

  • Pick the right fabric. Lighter fabric will float the best (and the longest) in the water, and fabric which is slightly translucent will catch the light and look most effective in your photographs. Organza, chiffon, voile, tulle etc. are all good choices.
  • Consider the background you’ll be shooting against and select a fabric that will contrast, e.g. white fabric against a black background, orange fabric against a blue background and so on. Bright block colours are usually more effective underwater than darker or heavily patterned fabrics.
  • Ensure the fabric is big enough to have an effect – if you are using loose fabric then you want at least a couple of metres of it, if it’s part of a costume (sleeves, skirts, etc) then again, bigger is better.

Then you need to think about how you’re actually going to use the fabric in your pictures. Some top tips for working with fabric underwater include:

  • Move slowly and steadily through the water, to maximise your opportunity to get the shot.
  • If you’re using loose fabric, aim to keep it at chest height or above, as this will accentuate the weightless effect of the picture.
  • Think about how you’re shaping your hands as you hold onto the fabric – you don’t want beautiful flowing fabric clenched in tight little fists!
  • Aim to keep the fabric mostly behind or above you unless it’s partially translucent, as otherwise it will block you in the photo.

Using Small Props In Underwater Photography

Often small props can be a very simple way to create some extra interest in your underwater photography, or to give it a fun sense of surrealism. One of the most fun photographs of me underwater is of me dressed in a mermaid tail, reading a newspaper at the bottom of a water tank (see below, by Shamira Crivellaro). I love it because it’s such a surreal shot – the floaty hair makes it clear that the photo really was taken underwater, but the calm pose reading the paper with my glasses on is not what you expect from typical mermaid photography!

Here’s a few top tips on getting the most from using small props underwater:

  • Make sure they’re waterproof! Okay, it sounds incredibly obvious but there’s nothing worse than having a key prop disintegrate in the middle of a shoot (and then finding yourself swimming around the tank trying to retrieve the pieces!). So make sure they’re waterproof before you start – that includes making sure they won’t leak colour, or have bits fall off, and that they sink/float as you’d expect.
  • A single prop is usually more effective than loads of them. Getting the perfect shot underwater is difficult enough without introducing too many variables! Make it something simple that’s easy to interact with.
  • Combining ‘everyday’ items with underwater photography is often very effective at achieving that surreal look. For instance, newspapers, tea cups, fans, mirrors etc.
Photograph by David Ballard

Using Large Props In Underwater Photography

Large props, such as furniture, can also look incredible in your underwater photography, but they bring their own challenges! Again, you need to make sure they’re waterproof, but what other considerations are there when working with large props?

  • The biggest consideration is buoyancy! If your furniture is trying to float away, it’s incredibly difficult to work with. I once did a shoot with a chair that was almost impossible, because it just was not heavy enough to stay sunk at the bottom of the pool, and we both kept drifting away together! (See the pic below… We made it work eventually!) You can always add weights to help something sink if needed.
  • Working with large items creates additional risk, particularly in terms of getting the props into/out of the water and the risk of costumes catching on the props during the shoot and restricting movement. Make sure you’ve properly risk assessed the shoot and considered how to manage these potential dangers.

The Underwater Photoshoot Series

This article is part of a series giving advice on underwater photoshoots both for photographers and underwater models, drawing on my experience as a professional mermaid. Why not check out my previous articles, including top tips for modelling underwater and this blog post helping you learn how to open your eyes underwater.

celebrations · Just for fun · Seasonal

Just Who The Flip Was St Valentine, Anyway? Love, Beekeeping and Epilepsy

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Ah, Valentine’s Day. If you have no-one to spend it with, it can be an unwanted reminder of singledom. And if you do have someone to spend it with, there’s a lot of pressure for the perfect romantic day. But you may not know that St Valentine is one of those greedy saints who is the patron saint of all kinds of random things, not just romantic love. So just who was St Valentine…?

Who The Flip Was St Valentine, Anyway?

St Valentine The Romantic

First things first: there are various legends and stories surrounding St Valentine, which may actually refer to multiple different figures. Valentine’s Day itself honours Valentine of Rome (who died in 269) and Valentine of Terni (who died in 273), but there were apparently even more early Christian martyrs named Valentine, which at this point seems like it was basically the Roman Empire’s equivalent of the name John Smith.

The legend that most obviously connects a St Valentine to a tradition of romantic love relates to a Roman priest during the reign of Claudius II, who was apprehended performing marriages for Christian couples and assisting Christians, who were at that time being persecuted. This was a major inconvenience to the emperor at the time, who supposedly believed that unmarried men made the best soldiers (legend is silent as to why he believed this, but perhaps the widow’s pension scheme simply proved too costly on the imperial purse). St Valentine was therefore promptly put to death. How romantic.

So next time you’re single and a newly coupled-up friend tells you about their Valentine’s Day plans, you can smugly remind them that Valentine’s Day is a holiday for married couples, and St Valentine (or any one of the various St Valentines) would certainly disapprove of chocolates, flowers and a romantic dinner out of wedlock.

St Valentine The Epileptic (?)

Less well-known is the fact that St Valentine is also the patron saint of epilepsy. And once again, he’s not the only one. According to Epilepsy Action, there are forty separate patron saints of epilepsy, although St Valentine is the most famous one… which does seem a little unfair, considering some might argue that he’s already famous enough for the celebrations on February 14th. He’s very much stealing the epilepsy thunder from other saints like St Vitus. Ever heard of St Vitus? No. But after he freed the Emperor Diocletian’s son from demonic possession (read: epilepsy), he was promptly put to death for doing it like a big old Christian. That’s gratitude for you.

Anyway, the point is that St Vitus literally died to cure epilepsy and you’ve never even heard of him.

So how did St Valentine become one of the many patron saints of epilepsy? Well, allegedly it once again comes back to the name Valentine. Epilepsy was for many years known as the ‘falling disease’ and in German, there is a similarity between the word ‘fallen’ and name ‘Valentine’, which led to alternative names in German for epilepsy, such as St Valentine’s disease. Bit of a weak connection, if we’re totally honest. St Vitus is pissed as all heck about it.

St Valentine The… Everything Else

Saint Valentine (well, one of them anyway) is also, for some reason, a patron saint of beekeepers – a link that seems even more tenuous than his connection to epilepsy, but there we go. The best justification for this link that I could find was a few beekeeping websites that vaguely referred to a supposed relationship between love and honey/bees. I can only assume they’re confusing love with pollen.

Now, you may be thinking that, well, someone has to be the patron saint of beekeepers, and maybe there just weren’t many volunteers for the job. Perhaps St Valentine just offered to help fill a blank spot on the celestial staffing rota? But no. St Ambrose and St Bernard of Clairvaux (you have to include the “of Clairvaux part, because otherwise people assume you’re talking about a dog) are also patron saints of beekeeping. If anything, you might say it’s a little oversubscribed on saints.

On top of this, Catholic Online lists St Valentine as the patron saint of fainting, greetings, plague, travellers and young people. It’s certainly a miracle that he has time to rest at all, especially as he seems to have overlooked the opportunity to become the patron saint of something a bit more chill, like embroidery (Rose of Lima got that gig). No wonder he needs Cupid to lend a hand on the 14th February…

So there you go. If you’re feeling a little left out this Valentine’s Day, why not try a spot of beekeeping, or celebrating your love for travel? It’s just as valid a way to mark the occasion as a box of chocolates and a bunch of roses…

children's books · Just for fun · reviews

Brutally Honest Children’s Book Review: Zoo Sounds (Usborne Sound Books)

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Since having a baby, my husband and I have often discussed some of the vagaries of the children’s books that we read to Little Man. No matter how much he loves them, to the adult eye, a number of these books have some pretty major issues. And so I thought I’d start a new series on this blog, called Brutally Honest Children’s Book Reviews. I’m going to review Little Man’s favourite books. And I’m going to be brutally honest about it! Read on for the first instalment: a review of Zoo Sounds by Sam Taplin, and illustrated by Federica Iossa, from the Usbourne Sound Books range…

Brutally Honest Children’s Book Review: Zoo Sounds

Judging A Book By Its Cover:

With a title that sounds more like the name of a disk in the BBC’s famous Sound Effects Library, on first sight Zoo Sounds did not inspire me with confidence that a roaringly good yarn was in store.

How wrong I was. In fact, if you press the small button in the middle of the book’s cover, you will quite literally hear the (slightly tinny) sound of a lion’s roar.

The cover includes pictures of some of the animals whose sounds feature in the book, along with the word denoting their accompanying nose: a lion (“roar”), a monkey (“ooh-haa”), an alligator (“splash” – hmm, okay), a bird (“squawk”), and a couple of meerkats. What sounds do meerkats make? Other than “simples!” – as my mother rightly pointed out – I have no clue. I’m looking forward to finally hearing the cry of the meerkat, courtesy of Zoo Sounds

False Promises Of The Meerkat Kind

But brace yourself, my friends. For Zoo Sounds – despite prominently featuring not one, but TWO meerkats on its front cover – not only does not feature any meerkat sound effects, but actually doesn’t feature any bloody meerkats at all, in any capacity. Pretty sure they could be done for false marketing… Or at least, false meerkat-ing! (Dad joke alert!)

The Plot Thickens (Or Not)

Speaking of false promises, I have to admit that I didn’t have high expectations of Zoo Sounds in terms of plot. I wasn’t anticipating a Game Of Thrones-esque struggle for power between the lions and the monkeys, mediated from the sidelines by their semi-mythical meerkat overlords (although if anyone wants to write that children’s book, I will gladly review the heck out of it).

But I did expect some plot, even a simple one. Like perhaps a family on a walk through the zoo, or a zookeeper doing their job and seeing the animals along the way. But no. Zoo Sounds has dispensed with the frankly conventional notion that a story book should have, you know… a story. It’s literally just several pages of random animals making noise, and then it ends, abruptly, after an alligator hops into a pond (spoiler alert).

I’m not the only person to have this criticism of the book either. One Amazon reviewer closed their (3 star) review with this zinger: “This one reminds me of the scene in Elf when Buddy’s Dad demands to ship the book even though it hasn’t been finished.” Ouch.

What Does The Penguin Say

One of the things that I try to do when evaluating a kids book is to consider its educational value. And, to be fair, there’s a fair amount of educational value in Zoo Sounds. Lots of animals to discuss, including their accompanying sound effects, and most of them are doing something you might reasonably expect said animal to do (the monkeys are eating fruit, the seals are eating fish, you get the idea).

However I’ve had to downgrade the educational value score for this one because I just straight-up do not believe that any penguin on earth sounds like the corresponding ‘penguin’ sound effect in this book. I freely admit, I’m not a penguin expert, and perhaps someone who is will prove me wrong. Maybe there is a sad, demented species of penguin, somewhere in remote Antarctica, that sounds like the man from the Go Compare advert being subjected to cruel and unusual torture. But until I get some cold hard proof of that, I will continue to describe the penguin sound effect as ‘wildly unrealistic’.

Little Man’s Book Review

Obviously this wouldn’t be a very good children’s book review if I didn’t take into account the views of an actual child. And Little Man absolutely loves this book. I asked him to write a review, but sadly it was so full of expletives and foul language that I felt unable to publish it. So instead, we’ll have to infer the review from his behaviour: a huge smile whenever we sit down to read together, and regularly selecting the book to be his chew toy du jour.

If I had to suggest what Little Man’s favourite features about Zoo Sounds are, I would say that: a) he loves sticking his finger through the cut-out hole on the front cover (but not, for some reason, the cut-out holes on any of the other pages), particularly if I grab his finger and pretend something is nibbling on it; and b) he likes turning the book over when he hears the sound effects, and trying to work out where the noise is coming from. It’s good stuff.

Brutally Honest Children’s Book Review: The Verdict…

And so, in conclusion we come at last to the moment you’ve all been waiting for… Drumroll please, it’s the Brutally Honest Children’s Book Review Star Rating System:

  • Plot: * (1/5)
  • Illustrations: *** (3/5)
  • Interactive features: ***** (5/5)
  • Educational Value: *** (3/5)
  • Little Man: ***** (5/5)

Aggregate Score: (3.5/5)

Just for fun · mermaiding · top tips

How To Use Your Natural Buoyancy For Underwater Photography (Tips From A Professional Mermaid)

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Controlling your buoyancy is key to successful underwater modelling. Ideally, you want to be able to sink when you want to sink and float when you want to float. Everyone has a different level of natural buoyancy, so you will need to learn what works for you! I’ve collected together my top tips from my time as a professional mermaid and underwater model, to help you work on controlling and using your natural buoyancy for underwater photography.

Understanding Your Natural Buoyancy

On average, the human body has a density of 0.98 compared to water (according to Wikipedia!). That means that most people’s bodies are inclined to float, rather than sink.

Your body composition plays a large part in determining whether you’re more sink-y or float-y; muscle and bone are more dense than water and sink, whereas fat will float. Women naturally have a higher body fat percentage than men and so are more likely to be inclined to float – great in a shipwreck situation, but potentially more of a challenge when modelling underwater.

When it comes to learning how to control your buoyancy for underwater photography, you could work on changing your body composition, but that tends to be quite a long-term fix! In the short term, buoyancy control is mainly about controlling the amount of air inside your lungs, which effectively act as a floatation aid when full of air.

It’s also worth remembering that the salinity of the water will make a difference: if you’re swimming in salt water, you’ll always be more floaty than you are in a pool.

Photograph by Gregory Brown

If You’re Floating Too Much

If you find that you’re constantly floating to the surface when modelling underwater, the first thing to think about is your breathing. Our natural instinct is to take as deep a breath as possible before submerging, in order to be able to last as long as possible underwater; however, having lungs full of air is likely to make it difficult for you to pose in place for long.

As you’re about to dive, take a deep breath and then puff out a little air before going underwater; you’ll need to experiment with this to find the exact amounts of air you need to breathe out in order to be able to float neutrally in the water or sink to the bottom and stay there.

If you’re a very competent swimmer and this is something you’re struggling with, you can also think about incorporating diving weights into your costume. Scuba divers use these to compensate for the buoyancy of their equipment. You can purchase small amounts of lead shot ballast online in pouches which can be hidden or incorporated in weight belts or costumes. However, being weighted down always has the potential to be dangerous – your weights should be quick release, and you should be careful not to weight yourself down too much. It’s always good practice to have an agreed hand-sign so that your photographer and/or assistants know if you’re in difficulty and can come to assist.

Photograph by Johannes Hjorth

If You’re Sinking Too Much

If on the other hand, you find that you’re sinking too much and you’re not able to simply float in place underwater, firstly make sure you’re taking a good deep breath before submerging. You may find that it’s your natural instinct to breathe out as you’re diving down in the water, thus making it easier to dive down quickly, but if you tend to have negative buoyancy (i.e. you sink!), you need to hold on to that breath of air while diving.

If that still doesn’t make a difference and you find you tend to sink straight to the bottom, this is probably a natural effect of your body composition. You’ll need to try to get good photographs on your way to the bottom, while swimming, or after pushing off from the bottom of the tank or pool for an underwater jump.

Photograph by Holly Meadows

Playing With Buoyancy For Underwater Modelling

Finally, it’s worth thinking about how you can capture great shots underwater while working within the limitations of you/your models’ natural  buoyancy.

If you constantly float and can’t stay in one place for long, you’ll need to go for shots with more movement; try diving down to the bottom of the pool or tank and then allowing yourself to naturally float up through the water (remember: if your lungs are full of air it will mean that your torso floats up first, so you will pretty much always maintain a vertical body position if you do this).

Having a model with negative buoyancy who sinks straight to the bottom can be great for setting up more complicated poses or scenarios, or working with props.​

Having two models with different natural buoyancy affords a lot of possibilities for underwater photography; having one model with negative buoyancy who is able to remain at the bottom of the pool means they can act as an ‘anchor’, who can hold the more floaty model in place. This makes it much easier to catch the perfect shot of more than one model, while keeping the underwater ‘feel’ in the photograph.

Photograph by Gregory Brown

More tips for underwater modelling

This blog post is part of a series of articles on underwater modelling and photography, based on my experience as a professional mermaid and underwater model. You can read more top tips for underwater models here, or learn how to open your eyes underwater here.

baby · parenting · top tips

Common Household Objects That Make Great Free Toys For Baby

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Little Man has lots of lovely toys, but in the interests of trying to avoid our house becoming little more than extended toy storage for the wee fellow, we also try to ensure we supply him with common household objects to play with. Some household items make great free toys for baby, and not only do they save on storage space, but buying fewer toys is better for the planet too! So here’s my list of the top household items that will keep your baby entranced for hours…

Common Household Objects That Make Great Free Toys For Baby

A Wooden Spoon

“Oh, that’s where it was,” said my husband in an accusatory voice, as I picked up a wooden spoon from the playmat in the kitchen and handed it to Little Man. “I was searching for that for ages while I was cooking.”

Reader, we own a grand total of five wooden spoons (I counted for this article), but as it turns out, I had inadvertently selected my husband’s favourite spoon to give to baby as a fun new toy. Little Man loved it, and now the spoon has visible little gnaw marks on it from his two front teeth. Oops. So, although a wooden spoon is a great idea for an easy toy for baby, in the interests of marital harmony you should probably check with your partner before handing one over…

Egg Boxes

Every once in a while, our Sainsbury’s delivery will randomly substitute our chosen cardboard box of eggs for a plastic box instead. But not only are they less good for the environment, they’re also 100% less useful for their secondary purpose: entertainment for Little Man.

Just think about it. They’re made of cardboard, eminently chewable, not too heavy, an interesting shape and with a hinge that opens and closes. The perfect toy for a baby who’s interested in everything!

A twelve-egger in action

Packaging

One of Little Man’s favourite toys is known in our house as The Gold Floofer. It has been a favourite since he was a couple of months old. It’s actually made out of a shiny gold plastic envelope lined with bubble wrap, that contained a delivery for me. We’ve long since forgotten what was actually contained in the envelope, but I cut out a large strip from the envelope for Little Man, because I thought he’d like the bright shiny colour and texture. I was not wrong, and he’s been playing with it ever since.

Fruit and vegetables

Over the autumn/Halloween season, Little Man had great fun playing with a miniature pumpkin I used to create a seasonal display in the lounge. He’s enjoyed chewing on it and bowling it across the floor so much that we actually just started calling it his pumpkin!

Now he’s a bit bigger and stronger, I only let him play with tougher fruit and veg like pumpkin, that has a thick rind that he can’t do much damage to! But when he was younger, most fruits and vegetables made great play things, and he loved exploring the textures of different grocery items. The perfect eco-friendly, 100% biodegradable (and delicious) playthings.

Fun with fruit and vegetables!

Shakeable items

I’ve also had great success in making various shakers for Little Man (fancier parents than I will call them ‘sensory bottles‘). One favourite was a bottle part-filled with coloured water and dried lentils, which he loved shaking and rolling across the floor. My husband went to empty it out though when it was getting a bit old, and he reported that it smelled “like mouldy farts” by that point, so maybe don’t leave it too long before cleaning and changing the water!

Another great success has been the Shake Shake Box, an empty ice cream tub with some dried seeds and pasta in it so that it makes a satisfying rattling sound when you shake it, and the sides of the tub are clear so you can see it all shaking around in there. It’s been going for about six months now and still remains a favourite.

Cardboard Boxes

Okay, this one was so obvious that I almost forgot it! What child doesn’t love a cardboard box?

Your Ideas For Household Objects That Make Great Free Toys For Baby

Do you have any suggestions for other household items that make great free toys for little ones? Is there anything you think I’ve missed? Let me know in the comments!

If you’ve enjoyed this article, why not check out my blog post with top-tips for keeping the weaning process eco-friendly?

Just for fun · mermaiding

How To Relax Underwater (Tips From A Professional Mermaid)

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Feeling calm and being able to relax underwater is a big part of being a good underwater model or performer, and that’s my background and where thus blog post comes from. But if you suffer from fear of the water, or enjoy freediving and want to improve your breath hold and confidence in the water, these tips should also be useful to you.

This is part of my blog series A Professional Mermaid’s Guide to Underwater Modelling – check out the other posts for more top tips on looking incredible underwater.

How To Relax Underwater

Why is it important to relax underwater?

Staying calm and relaxed in the water is likely to help you hold your breath for longer, enable you to keep going for longer – and ensure that you actually enjoy yourself. If you’re modelling or performing underwater and you feel panicked or you need to make a lot of adjustments to your pose, hair or costume, you’ll burn through your oxygen much more quickly and find that you can’t hold your breath as long.

Practise makes perfect

The number one way to ensure you feel relaxed underwater is just practice. It’s not the advice anyone wants, but it’s true! The best thing you can do is spend lots of time in the water, diving and holding your breath, until it doesn’t feel strange or unusual or even particularly exciting. Once being underwater feels kind of standard, you know you’re relaxed! Of course it’s important to always practice in the water safely, with a dive buddy (see more on this below).

Underwater photoshoots in particular can be stressful environments; there’s a lot of pressure to get the right shots within a set time frame. If you’re not comfortable in the water, this will only exacerbate the stress and pressure. Making sure you’ve spent a lot of time in the water in a non-pressured environment will help you to have the confidence you need to relax underwater.

Photograph by Mark Jones

Minimise the pressure

In order to feel relaxed, you need to think about your environment both before and during your time in the water. Think about how you can create a calm environment that will help you feel relaxed. Music can be really helpful for this – a few times I’ve done photoshoots in a tank which had a sound system, which was awesome but obviously is not always available!

Be organised and ensure you’re not rushing around before you get in the water. If you’re feeling stressed out before you even begin, you’ll find it difficult to relax once you start swimming.

Breathing exercises

Ideally, take time to do some breathing exercises before getting in the water. This will help you to hold your breath longer, but will also help you to feel relaxed and calm. Focus on your breathing, your inhalations and exhalations, and try some specific exercises such as this breathing technique recommended by the NHS for anxiety and stress.

Photograph by Vanessa Mills

Be safe and manage risk

It sounds obvious, but ensure that you are swimming or diving in a safe environment. This is especially important if you are undertaking an underwater photoshoot or performance, or swimming in open water. Making sure you’ve undertaken a risk assessment beforehand will help you relax when it’s time to get in the water.

Think about things like: is there a lifeguard? Are you diving or swimming with a buddy? Are there any obstructions or hazards in the water? If you’re wearing a costume with a lot of fabric, or something like a mermaid tail that might be quite restrictive, aim to practice being in the water in your costume to ensure you feel comfortable and safe.

You should also consider the way your tank or diving area is set up. When you surface for a breath after diving, will you have something to hold onto, to give yourself a break for a moment if you need it? This could be the side of the pool, a float, a rock, whatever – but it’s good to know you can take a pause if and when you need it.

Linked to the above, think about the length of time you’ll be diving for. For modelling or performing, ten to twenty minute sessions with decent length breaks in-between is sensible, to ensure you don’t get too exhausted or too cold, and have a chance to recharge your batteries.

Don’t push yourself too hard

If you’re modelling or performing underwater and you try to hold your breath as long as you possibly can on every dive, you will very quickly run out of energy and start to find the rest of your time in the water much more difficult. As with something like running, it’s important to pace yourself. It’s better to maintain medium length breath holds consistently over a twenty minute shoot, rather than exhaust yourself with a couple of really long breath holds right at the start and then not be able to maintain it. Running out of air will stress you out, so make sure you take the next breath before you absolutely have to.

Similarly, if you’re trying to get over anxiety about being in the water, don’t force yourself to stay in the water for a really long time at first.

Learn More About Underwater Modelling

This article is part of a series sharing top tips on various aspects of underwater modelling! Why not check out this article on general underwater modelling tips to look amazing underwater, this post about learning how to open your eyes underwater, or the series page to see everything I’ve published so far.

Just for fun · Seasonal

Brussels Sprouts: A Festive Safety Warning

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Now, there are apparently some people in this world who actually enjoy Brussels sprouts, and they will insist on saying things like “it’s not Christmas without sprouts!” and “they’re incredibly good for you, you know!” BUT ARE THEY? I have always believed that Brussels sprouts are the work of the devil, and now it turns out I may well be justified in that belief. So I’m sharing this festive Brussels sprouts safety warning with you: these little green vegetables are dangerous…

Brussels Sprouts: A Festive Safety Warning

Brussels Sprouts Overdose: The Facts

Back in 2011, a man was hospitalised at Christmas after overdosing on Brussels sprouts. Yes, really. You see, sprouts contain vitamin K, which the body uses to help with blood clotting. This can be a problem if you’re on medication to stop your blood clotting (a.k.a. blood thinners or ‘anticoagulants’ – like warfarin, which you may have heard of). All the vitamin K counteracts the effect of this medication.

The man in question suffered from chronic heart failure, and had been fitted with an artificial pump in his heart, while he was awaiting a heart transplant. It’s normal for patients in this situation to take blood thinners, and he was prescribed warfarin and his blood was monitored to check it wasn’t clotting too easily. All was well for four months, when the festive season approached. Suddenly, blood tests indicated that the man’s blood was clotting much too quickly. The doctors increased his warfarin, but it kept getting worse and worse. They told him not to eat too many leafy green vegetables due to the vitamin K content. But nothing seemed to help. Three days after Christmas, he was admitted to hospital.

While in hospital – eating hospital food – things started to improve. Eventually, under (presumably) intensive questioning from his doctors, he finally admitted that he’d been eating Brussels sprouts three or four times a week during the festive period. But not just that. Oh no. He’d been eating 15 – 20 Brussels sprouts at a time. That means he was munching down around 45 – 80 sprouts PER WEEK.

Now, I have some sprout fans in my immediate family, and they’ve long tried to convert me to eating this appalling vegetable. But I have never met anyone who loves them so much they’re guzzling down 20 sprouts a day (unless they’re so rightly ashamed of this sick behaviour that they’re hiding it from me, I guess). Anyway, the point is: not only are sprouts gross, they’re also potentially little green balls of death, so heed my festive Brussels sprouts safety warning and steer well clear.

Why do I hate sprouts so much?

Random side note: the the hatred of Brussels sprouts is, in fact, genetic (or at least, probably genetic). Those people who have this gene can taste the bitter and hideous taste of a chemical called phenylthiocarbamide, which is extremely similar to a chemical found in brassicas, like Brussels sprouts. And cabbage, broccoli, cauliflower… pretty much all the vegetables I and so many other sensible people hate. So if you’ve ever been sat around the Christmas dinner table, watching your family guzzling down sprouts and wondering: why do I hate Brussels sprouts so much? Now you know!

Just for fun · mermaiding

How To Do Incredible Make-Up For Underwater Photography – Tips From A Professional Mermaid

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Chances are, if you’re looking for advice on make-up for underwater modelling and photography, you’ve found a lot of information on waterproof make up. Unfortunately, waterproof is definitely not the same as underwater-proof. A lot of time spent performing underwater as a professional mermaid and underwater model means I’ve learned plenty of tips and tricks that will help you get the best out of your underwater makeup up.

But before we even start to talk about brands and application, there are a few key pointers to be aware of…

Make-Up For Underwater Photography

Underwater Make Up Needs Drama

Make-up generally needs to be more dramatic in order to make an impact underwater; the water washes out the picture. It’s not dissimilar to the effect of stage lighting; you need to ensure make-up is more vivid than you would make it for an above-the-water shoot.

The clarity of the water and the distance between you and the photographer will also make an impact; the further away your photographer is, the more ‘washed out’ the image will be before post-processing.

Once You’re In The Water

Secondly: no matter your make up, don’t touch your face once you’re in the water. Don’t do it. When you surface out of the water and your nose is full of water and your hair is in your eyes, don’t touch your face. Your make up will smudge, and the only way you can fix it is by getting out of the water, drying your face off (probably removing more make-up!) and patching it up.

It’s also worth being aware that the water you’re swimming in will make a difference, and chlorinated water tends to be much harsher on your make up than unchlorinated water.

Photograph by Jules Abensour

Types of Make Up For Underwater Photography

Different types of cosmetics perform differently underwater. Oil-based, alcohol-based, and silicone-based products are all more resilient. Grease paints, such as those used for theatrical and film productions are oil-based and shouldn’t wash off in water; well-known brands such as Kryolan are widely available online. However, I’ve focused this section on easy underwater make-up solutions from personal cosmetic products, rather than high-grade film and theatre products, as it’s more likely to be useful for those planning their first underwater shoot.

Foundation and contouring

Look for liquid foundation that’s advertised as being super long-lasting. Obviously powdered products do not hold up in water BUT a number of companies make cosmetic products you can use to transform powder-based makeup into a gel or paint-like consistency, which allows it to set in place and makes it more resilient. This is great for using your normal pressed powder bronzer, highlighter etc. I use Face Atelier’s transforming gel, which I’ve found very useful.

Underwater Eyelashes

Don’t be tempted by false eyelashes. It’s not worth it. Unless you’re planning to shoot for all of three minutes, the glue will give way and you’ll end up with eyelashes hanging off your face – or worse, floating around in the water ruining the shot until you can catch hold of them (yes, this has happened at a shoot I was at… Although not with my eyelashes, fortunately!).

Getting your eyelashes permanently tinted, or having proper semi-permanent false eyelash extensions from a reputable salon are both viable, but more expensive alternatives. Or, just go with a really good waterproof mascara: I use Maybelline Great Lash Waterproof which lasts well even in quite strongly chlorinated water.

Photograph by Hugh Spence

Eye Shadow and Eyeliner

My favourite brand of eyeshadow is Inglot. They do a great range of colourful eyeshadows, which I’ve found the be incredibly resilient underwater without the need to use a transforming gel – and the eyeshadows still look pretty good even after repeated dunkings in an aquarium with no chance to top-up.

With regards to eyeliner, there are a lot of good waterproof eyeliners on the market which I’ve found to generally hold up well underwater. Barry M’s waterproof eyeliner is perfectly good and reasonably priced!

Underwater Lips

Lipstick can hold up underwater, but don’t bother with lipgloss. I find MAC lipsticks to be about the best, but even with MAC if you’re spending a lot of time in a chlorinated pool, it will fade noticeably and you’ll need to top up. The best tip I can give you to help with that is just: try not to touch your mouth when you’re surfacing from the water, and it’ll last longer.

Photograph by Johannes Hjorth

Lip liner is a good idea to prevent it running; lip seal products are also available, but I’ve never found that they make much of a difference if chlorine is involved, unfortunately.

It’s worth noting that underwater photography tends to emphasise the blues in a shot and suck out the colour red, so choosing a more vivid shade than usual is advised.

Learn more about underwater modelling…

This article is part of a series sharing top tips on various aspects of underwater modelling! If you’re interested, you can check out this article on general underwater modelling tips to look amazing underwater or this post about learning how to open your eyes underwater… or see all my articles on my Guide To Underwater Modelling page.

Just for fun · mermaiding

How To Make Your Hair Look Amazing Underwater (Tips From A Professional Mermaid)

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One of the classic hallmarks of underwater model photography is beautiful, flowing, floating hair. It can be key to creating that truly weightless look that shows the picture really was taken underwater and hasn’t just been photoshopped. But how do you get your hair to look amazing underwater? Here are some tips from my time as a professional mermaid performer.

How To Make Your Hair Look Amazing Underwater

Underwater Hair Wrangling

Different people’s hair tends to be differently floaty underwater; the finer the hair, the better it floats. The water you’re in will also make a difference; your hair will float better in saltwater than it does in a swimming pool.

Using oils and oil-based hair products

Hair is covered in naturally produced oils, which also help it to float, so if you’re finding that your hair is looking flat underwater, you can try adding a conditioning oil like argan oil beforehand (this will also help to protect your hair from chlorine and keep it from tangling). However, a word of warning! Oil in the water can ruin picture quality for your photographs – and once the oil is in the water, you won’t be able to get it out in time to rescue the shoot. If you’re the only model being shot that day, and you use a small amount of product, you may be okay – but a lot of product or a number of models all using a small amount of product could ruin your water quality. So make sure you discuss any user of hair oils with your photographer beforehand. Thanks to photographer Brett Stanley for this tip!

Moving your hair underwater

When you drop down through the water, your hair will naturally rise; however if you then swim or move forwards, it will push your hair back from your face, which can leave it looking flat. In order to get that perfect floating hair effect, once you’re in position, try shaking your head gently from side to side, or run a hand upwards through your hair.

Be aware of the position of your hair, as it can ruin a great shot if too much of it gets in front of your face; if that starts happening, the best solution is to use both hands to gently waft the hair upwards.

The hair is the primary indicator that this shot by Shamira Crivellaro was taken underwater.

Hair Colour Matters

Think about the colour of your hair and the colour of the background. If you are using a typical blue underwater background, blonde or red hair will be the most high-contrast colours, and will really stand out against your background. Lighter hair catches the light best underwater, so if you’re darker-haired (like me!) bear that in mind. Of course, you can always try wearing a wig (see below)…

Using Wigs Underwater

Despite what you might expect, wigs are totally do-able underwater. However in order to prevent your wig making a floaty bid for freedom, there are some key pieces of advice you probably want to be aware of:

  • Make sure you get a wig with adjusters inside and set them to a tight setting.
  • Then make sure you have a wig cap. For added security, I recommend french plaiting or braiding your natural hair underneath the wig cap, and then pinning the wig through the wig cap and into the plait.
  • Be prepared for your wig to be a crazy tangled mess once you’re done with the photoshoot. The longer the wig, the greater potential for tangling. Wigs with straighter hair are likely to take less time to untangle – curly wigs can get really messy. Bring a comb and be ready to invest some time teasing it back into shape.
  • Bear the wig in mind when you’re entering the water and getting into position. If you rapidly dive down or swim forward, the water will push against the wig and be more likely to loosen it. The more gently you move around, the less likely you are to dislodge the wig.

When you’re modelling underwater in a wig, you need to think about more than just making sure it doesn’t float off your head. Before you get in the water, make sure you’ve checked out the hairline of your wig in the mirror. Especially with cheaper wigs, while they may look great on land with the fringe/bangs hanging down, once you’re in water there’s the potential for all the hair to float up and expose that hairline.

If the hairline isn’t great, you’ll want to make sure it’s not exposed in the photos; try dropping below the water with a hand holding the fringe down.

I wore a red wig in this underwater photograph by David Kershaw

Styling Hair Underwater

Generally the best bet is to leave hair loose rather than attempting to style it; loose flowing hair creates a great underwater effect. If you are styling your hair, you’ll need a lot of pins to keep it in place! Remember also if you’re planning to use hair clips, hairbands, tiaras etc. that you need to think very carefully about whether your hair is going to get hopelessly tangled in them.​

This also goes for necklaces; earrings; and clothing that’s close to your hair; when I made my first ever mermaid top, it had fake seaweed on the shoulder straps. It looked great, but every time I got in the water, my hair ended up tangled in the leaves, and sometimes it couldn’t be untangled and had to be cut free. Needless to say, I remodelled the top pretty quickly!

Photograph by Duncan Grisby

Learn more about underwater modelling

This article is part of a series sharing top tips on various aspects of underwater modelling! If you’re interested, you can check out this article on general underwater modelling tips to look amazing underwater or this post about learning how to open your eyes underwater.

craft · days out · Just for fun · lifestyle · Seasonal

Window Wanderland: Making An Illuminated Window Display

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For the last couple of weeks, I’ve used pretty much all my spare time when Little Man was sleeping or doing his settling-in sessions at nursery to work on creating an illuminated window display for Window Wanderland 2020. I themed the display around the Studio Ghibli film My Neighbour Totoro, because a) it’s one of my favourites, b) I assumed there would be lots of families out and about with kids, and c) honestly the characters have nice simple designs that should be easy to recreate in a papercut.

I was really happy with the final result!

The front view

In this blog post, I’ll talk about how I created my window display, and also share some photos of some of my favourite illuminated window displays from my local Window Wanderland event this year. Hopefully others will find it useful for information, ideas and inspiration if you’re planning on creating a illuminated window displays yourself. But first things first…

What Is Window Wanderland?

Window Wanderland is a scheme encouraging communities to set up “fun, local, all-people-friendly, window-display-based walking trails then share them with the world.” Illuminated window displays are set up by individuals or families in their homes over a couple of days, and then you can look up a map of your local area showing you where to find displays. It’s a really fun scheme, and obviously it’s especially great this year with the coronavirus pandemic in 2020, because it’s all outdoors and compliant with Covid-19 restrictions.

How Do You Make Illuminated Window Displays?

The flippant answer is: however you want to! As I walked around the illuminated window displays in my local area, I would say that it looked like most people (like me!) did displays using coloured crepe paper and black card. I did spot what looked like a display that had been painted onto tracing paper (?) so that it illuminated beautifully, which I thought was a great effect and allowed for a lot of detail:

How Did I Create My Window Wanderland Display?

By taking over the dining room table for about two weeks! Apologies to my very patient husband. I’ll outline exactly how I approached it and some of my top tips for how to make an illuminated window display with paper and card…

Step 1: Measure your windows

We have quite a complicated downstairs front window set-up, with 10 panels of varying shapes and sizes, so the first thing was to measure them up. I did a really bad job of this and actually got the measurements for six of the panels wrong, which I only discovered on the night when I went to put my display up in the window… Oops. They were only about 1cm out, but still! I recommend measuring everything twice…

Step 2: Buy your supplies

For my display, I bought a pack of 10 sheets of A2 black card, and a mixed pack of 20 sheets of coloured crepe paper (I already had a lot of the dark blue crepe paper that I used for the background colour). I didn’t use tracing paper as a backing, but lots of people do, especially if you’re going for a more collage-style effect.

My dining room table is in there somewhere…

I already had a craft scalpel in the house, which was essential for the finer lines, and a cutting mat. I also already had Pritt Stick glue in the house, but I ran out on the last day and had to run to the shops to get more – so make sure you have enough glue, as if you have large windows you can end up using a LOT. I also used blu-tack to stick the panels to the windows.

Step 3: Plan your design

I had a vague idea in my head of what I wanted to do, but I first cut my panels of black card into the right sizes for all the window panels – in some cases I also had to stick extra bits of card together to get the right size and shape for my windows. Then I outlined a reasonably thick border around the outer edge of each panel, and then started designing.

I did this as an iterative process, working panel by panel and outlining a design in pencil – rather than designing every panel from the start, before beginning to cut and paste, and I’m glad I did, because the first panel I did was way too complicated and took forever! After that, I simplified my designs a little, and also learned what shapes were easy/difficult to cut etc. as I went. You can see my excessively complicated first panel here – the top one with all the leaves:

I definitely think that when coming up with your design, less is more! I saw some amazing illuminated window displays around town that were just done with two colours – black card and a white background (for instance, see the Halloween themed Window Wanderland display below!). I think the simpler panels of my design have more impact as well.

Spooky…

Step 4: Cutting and sticking

My method was to cut a design out of black card, using a craft scalpel, and then stick coloured crepe paper in the gaps. For a few features, such as the eyes, I then glued more bits of black card on top of the crepe. It was quite fiddly, but I definitely got faster as I went along.

Actually one of the trickiest things was just finding somewhere I could put the panels while the glue was drying!

From indoors, you can see the construction more

How To Illuminate Your Window Display

I simply used blu-tack to attach my pieces of card to our front room windows. We then put the lights on in the front room. To make the display brighter, I also placed a lamp on a table by the window. If you’re wondering how to make your Window Wanderland display brighter, using extra lamps or even a projector will help light up the windows perfectly.

Window Wanderland Ideas and Inspiration

Before I started making my Window Wanderland display, I really wanted to see other people’s displays, for inspiration! So I thought I’d share a few more illuminated window displays that I particularly liked from my local area. Perhaps they will give you ideas for your own window display. Personally, I think windows work best when they have a strong theme – I really liked some of the Halloween themed windows we saw, and those themed around literature or music. As we get closer to Christmas, I imagine that Christmas themed Window Wanderland displays could be really awesome as well. Anyway, here are a few photos of displays from my local event… and my thoughts on how to make something similar.

Koi carp and irises window:

This beautiful display looks like it was made in a similar way to my display: cutting the design out of black card, and backing it with crepe paper.

Abstract colours window:

This abstract design is so beautiful and I think something like this would be easily achievable if you’re not feeling confident about making your window display. Again, it looks like it’s made with black card backed with crepe paper.

Prehistoric ocean window:

This lovely prehistoric ocean display looks like it was made by glueing strips of crepe paper onto tracing paper, and then sticking black cut outs on top.

Your Experience of Window Wanderland Events

I hope this post has been helpful if you’re looking for some inspiration and ideas for a Window Wanderland illuminated display!

Are you taking part in Window Wanderland in your local area? I’d love to see your designs and ideas! Let me know in the comments or tag me on social media for a share.